Happy People: A Year in the Taiga (Dmitry Vasyukov and Werner Herzog, 2010). If this feels uncharacteristic of Herzog, it’s because he came to it late: Vasyukov had made a series of four one-hour docos tracking four seasons in a remote part of Siberia before Herzog saw it and offered to recut it, narrate it and re-release it as a feature. Not only does it not look Herzogian, but the narration is unusually straight and subdued, free of both philosophical speculation and the occasional sideways mockery of subjects. But in another important way, it feels like a response to Grizzly Man. If Timothy Treadwell was a deluded sentimentalist who paid with his life, the Russian hunters in Happy People share Herzog’s wary respect for nature. These bears are mindless vandals and killers, and a hunter knows to keep his distance. A black bear is only seen once but their presence is sensed throughout and a story told about a bear attack is the only truly harrowing moment in the film. Nature, for Herzog, is always unsentimental.